NEWS & REVIEWS
A Matter of Identity
Nepali is such an expressive language - it contains so many onomatopoeias (words derived from associated sounds), that the need to use actual words to describe something isn't really necessary.
An emotion can be described with just a simple sound,” he explains.
(Shashwata Kundu Chaudhuri)
In Conversation
The whole premise of the pandemic on which ‘Samaya’ was themed didn’t make for an ideal and affable picture, so the songs tended to become melancholic and escapist compared to my earlier works.
But at the end of the day, music as an art form must also reflect the times we are living and experiencing life as it is.
(Shreya Bose)
Notes of Limbo
As the title suggests, he attempts to click a polaroid of this turbulent time, along with associated feelings and desires.
The clean and sparse production enhances the existentialism of Samaya as Chettri digs deep into the collective human consciousness through his own experiences.
(Shashwata Kundu Chaudhuri)
#ReviewRundown
Written while the Nepali-language artist was locked down like most of the world, there’s a sense of conviction in Chettri’s stories of loneliness and vulnerabilities that solely belongs to him in the indie space.
(Anurag Tagat)
Beauty in Solitude
His lockdown EP ‘Samaya’ is without doubt one of best collections of indie songs this year
(Madhusudan Raman)
A Lockdown EP
"A sign of the times, Samaya is heart-breaking in its eloquence yet exquisitely beautiful in its delivery,"
In Samaya, he laments; albeit in his distinct velvety voice - a heady palliative.
Just a Regular Person
‘There will be huge shifts in the way musical events would be organised and every artiste will be affected in some way or the other’
(Urvashi Bhattacharya )
Music on a
Mountain High
His is an amazing story, no matter how many times he has narrated it. A story about this man, who grew up in Darjeeling with his guitar and his music, and three years ago, quietly popped out his debut song Wildfire becoming one of the most popular independent musicians in the country, known for his Nepali folkish sounds.
(Staff Writer)
Gangtok Syndicate
The artist and songs of our time could have a variety of definitions, yet there are those that 50 years down the line will say 'Those were the songs of our time'.
(Pankaj Dhungel)
विपुल क्षेत्रीको सङ्गीत
प्रसिद्ध गायक विपुल क्षेत्री एकताका अंग्रेजी गीतमा आफ्नो भविष्य खोजिरहेका थिए। कसरी उनी नेपाली गीत गाउन पुगेँ? उनको गीत कसरी बन्छ र आफ्नो सङ्गीतको सम्बन्धमा उनी के भन्छन्? एक अन्तर्वार्ता
(Shreejana Shrestha)
Bipul Tugs At All Our Heartstrings
It’s no secret that Bipul is an accomplished guitarist and vocalist, and that is pretty much the focus of this track.
The Music Teacher Creating Ripples
Delhi-based folk singer Bipul Chettri is a rage among Nepali-speaking communities. It comes as no surprise that he’s mobbed at concert venues for selfies by his army of supporters.
(Andrew Amsan)
How Bipul Chettri’s Hillside Idiom is Going Places
Looking back, it does seem that his wishful chant of “home calling, home" on his first album, backed by wah-wah pedal guitar effects and a loopy didgeridoo, set the agenda for Chettri’s music—global in its musical skin, looking inward at its core.
(Shamik Bag)
Beyond the Fame
Mid 2016 saw the launch of his second album ‘Maya’ which cemented Bipul as the face of Nepali music for many. Yet, his demeanour don’t reflect the effects you would expect such fame and success would have on him. Introduce him to a fellow oblivious to the world of music as a teacher and he’d be none the wiser.
In Conversation
Don’t miss a single word as Adwiti Subba Haffner interviews the chappal wearing, folk song singing, homesickness inducing, our very own humility toting, Bipul Chettri for a down-to-earth interview where he opens up about his creative process, offers his insights on songwriting, his opinion on where Gorkhali music is heading towards...